Liebster Award

First, a big thank you to the always gracious Lora for giving me this award.   You can read her smart, funny, and warmhearted blog that covers everything from cooking to the arts and every humorous thing between at: http://liferealities.wordpress.com/

I’m really glad she likes my blog even though I’ve had to be more quiet lately with my posting.

Anyhoo,  I would like to pass on this award to 5 other bloggers who truly deserve it.  In no particular order:

1. Diane Dooley at http://dianedooley.wordpress.com/.  Ms. Dooley is a fantastic horror writer, while also incredibly supportive of other writers.

2. Chazz at http://knowledgelost.org/.  The  sharp-witted gent covers everything involving the arts and literature.  Lots of erudition to be found here.

3.  Ralfast over at http://ralfast.wordpress.com/.  He covers everything from his stories and views on the writing craft to pop culture.  And he’s just an over-all cool guy

4.  Beth over at http://shethinkstoomuch.wordpress.com/.   Her charming blog covers everything from books and writing and film to her everyday adventures of being a student in Edinburgh.

5.  The sharpwitted DD and tarot reader extraordinaire at:  http://danglingpentaclestarot.wordpress.com/.  For those interested in reading Tarot, or anything related to its history, they should definitely visit her site.

Here are the rules courtesy of Lora:

“If you’ve been nominated, here are the rules if you choose to accept the award:

1. Thank your Liebster Blog Award presenter on your blog.

2. Link back to the blogger who awarded you.

3. Copy & Paste the award to your blog.

4. Nominate 5 blogs to receive the award.

5. Inform them of their nomination by leaving comment on their blog.”

Thanks again Lora so very much!

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Published in: on July 21, 2012 at 4:11 pm  Comments (8)  
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Author Interview: Emily Murdoch

 

Ladies and Gents, I’m thrilled to be conducting my first author interview with Emily Murdoch.  I am lucky to call this great woman a friend, and honored to be her beta reader.

Ms. Murdoch’s first novel, If You Find Me (formerly:  The Patron Saint of Beans) will be published on April 2, 2013 by St Martin’s Griffin.  It has also sold overseas to Germany and the Netherlands.  More overseas sales are in the works.

A portion of the proceeds will benefit Taylor Hendrix’s Christmas Project. Seventeen-year-old Taylor, battling osteosarcoma, gathers gifts in backpacks to brighten the spirits of cancer teens in hospital during the Christmas holidays.  

For more information about Ms. Murdoch, her writing, and her charity project, please visit her blog at:  http://emilymurdoch.wordpress.com

Also, Ms. Murdoch will be giving away a free, signed ARC.  Entrants for the drawing only have to tweet this post link and mention so in the comments.  The winner of the free advanced reader copy will be selected by random drawing in one week.

Now, without further ado, let’s hear from Ms. Murdoch, herself.

1. If You Find Me is a realistic YA novel with adult crossover appeal.   Could you please tell my blog readers a little about it?

Sure! Here’s the synopsis from Goodreads:

A broken-down camper at the Obed Scenic and Wild River National Park – dubbed the Hundred Acre Wood – is the only home fifteen-year-old Carey has ever known.

Sure, coping with a bipolar mother on meth is no picnic, but beneath the sun-dazzled canopies of Hickory and Walnut, Carey’s violin transports her from their bare-bones existence in the same way her little sister, Jenessa, finds comfort in her stash of second-hand Pooh books.

Life is dependable that way, until Mama goes into town for supplies and vanishes off the face of Tennessee, sending social services in her wake with a one-way ticket back to their father – a stranger in an even stranger world.

2. What inspired you, or drew you to writing this novel?

I happened to watch two news magazine stories back-to-back on parental abduction and alienation, one being the story of Sean Goldman, abducted by his mother at age four and taken to Brazil, leading to an international custody battle.

I remember aching for his father, David, left behind in America and fighting to get his son back. He did — five years later — but neither of them would ever be able to recapture the time they’d lost.

The level of betrayal, in my mind, was stunning. Not to mention the constant worry about that child’s welfare, and how it couldn’t help but impact *everything*. Life freezes; time stops, or, in the case of the children, resumes, built on lies and deceit.

I couldn’t shake the stories from my mind or heart.

3. How would you describe the main character, Carey?

Strong, resilient, loving, earnest. Fiercely protective of her younger sister, Jenessa … while also flawed, damaged, confused.

What I love about Carey is how she knows when to fight, and when to let life just wash over her, like a pebble in a stream. She’s determined to find light in the darkness, and always holds on to the hope that her life will get better.

She’s magnificently human.

4. Readers sometimes mistake characters, especially those written in first person, with the author.  How does Carey differ from you?  And in what ways are you similar?

Great question, and so true!

I was not abducted as a child, nor did I grow up in the woods. But I did experience a tougher childhood than some, and spent a lifetime overcoming my experiences.

Like Carey, I always searched for the light in the darkness. I always believed that the hard times contained lessons meant to stretch us, to grow our hearts, to teach us things we could pass on to those who needed them the most — those people in the places we used to be.

If not us, than who?

5. Did Carey come to you fully-formed, or did she emerge slowly throughout the writing of the novel?   Without spoilers, in what ways did she end up surprising you?

 

I guess you could say she did come to me fully formed. I’d liken it to a sculptor finding the image in the blob of clay, or chunk of marble. Wasn’t it there already, just waiting to be found?

Carey surprised me, by being that pebble in the stream. By not running away. At one point I thought she would. She decided otherwise.

 

 

6. If you could cast anyone as Carey (current actress or from days past, who would it be?

 

I LOVE this question!

I think Dakota Fanning would make a wonderful Carey. She has the talent and emotional depth to bring all facets of Carey to life, including the said and unsaid.

She’s an amazing actress; truly gifted. I knew since first seeing her in Taken and I Am Sam that she had God-given talent.

 

7. Did Carey or the story come to you first?

 

Carey. I knew she was a fighter with emotional depth and a wealth of wisdom learned the hard way.

Right from the start, I admired her heart and the fight in her and felt she chose me to tell her story.

8. Now let’s chat more about you and writing in general.   The writing process is fascinating, and I’m sure many would love to know about how you go about it.  First, are you a plotter or a pantser?

 

Pantser all the way! When I begin a novel, even I don’t know the full story or what’s going to happen. I find it out just like my readers will — paragraph by paragraph, page by page.

 

9. When did you first begin writing, and when did you begin serious attempts at being published?  Could you tell us about your journey?

 

I wrote short stories and poetry from Kindergarten on. I was obsessed with books, both reading and owning them, and loved those tiny little books you used to get in bubble gum machines as prizes. I even used to cut construction paper into small pages, staple the middle, and make my own “books”.

I wrote my first real book (all 265 passionate pages!) at eleven-years-old. I used loose notebook pages held together with a binder clip. One afternoon in sixth grade, I left the manuscript behind in the school library. Our librarian, Mrs. Mills, found it and read it in full. The next morning, I made a mad dash to the library, hoping it was still there, and she held it up, raving. “Would you mind if I typed it up and sent it to a few publishers?” I remember nodding my consent, because I was speechless!

It took Mrs. Mills about a week to type it up, and we sent it off. It went out to three children’s publishers, along with a cover letter. I don’t remember who the other publishers were, but an editor at Random House, the signature illegible, wrote: “She’s got something. Tell her to try us again in ten or twenty years.”

 

Flash forward to now, and I’ve written five manuscripts. If You Find Me was my third queried manuscript. I do believe I’m here today because of all the effort that went before. However, I began writing with an eye toward publication in May of 2008.

 

 

10.    What authors inspired your dreams of being a writer?  Favorite books?

The answer is those favorite books: Anne of Green Gables by LM Montgomery; Little Women by Louisa May Alcott; any novel by Frances Hodgson Burnett, but especially A Little Princess and The Secret Garden; The Diddakoi by Rumer Godden; and A Wrinkle in Time By Madeleine L’Engle.

11.    Besides other books, what feeds your creative muse?

It’s always art; books, movies, paintings. I like to be moved, and I aspire to move others through my writing.

We live in a fast society, often steely and hard. Anything that brings us back to our hearts, is golden.

12.    Do you prefer writing in long spurts or during short periods throughout the day?  Are your creative juices better at certain hours?

 

I like to write at night, but I write throughout the day, also, whenever I can, and whether I feel like it or not.

I sit down and enter a state of “flow”, where hours fly by, I forget my physical self, and the words stream through me, oftentimes faster than I can type. I’ve always had a knack for this almost dissociative state I can’t quite explain, even to myself.

I feel like a conduit for the stories. All I have to do is sit down, let go, and believe.

13.   Do you listen to music whilst writing?  If so, what was this novel’s soundtrack?  Do your characters have different theme songs?

 

I always listen to music. I either listen to zen or classical. I write better with music, but it has to be music without words, and something that loops in the background.

For me, that is our satellite television’s classical and zen/new age music channels. I wouldn’t be surprised to get a call from the company one day telling me it’s on so much, I broke their stations!

 

 

14.    Do you have any writing rituals to help you get into the mood?

When I was younger, I would’ve said I wrote best by candlelight or by the fireplace. I wrote in notebooks, with a specific pen, (still the pen I prefer — Pilot Precise V5 rolling ball, extra fine point, black ink) and always with coffee nearby.

While some of those things could still be true, (the candlelight, to get my Louisa May Alcott on, the certain pen and the coffee, although now I write on my laptop) the whimsy of having writing rituals has taken a back seat to the reality of writing, especially for publication, where deadlines and paychecks are involved.

15.     Do you visualize the story as you write it, or do you hear it?

 

Wow. I never thought about that.

 

I’d say both. When writing in scene-mode, I visualize the scene. When writing dialogue, I hear it.

 

 

16.    While you are writing,  would you compare yourself to a Method actor who uses their own experiences and emotions to become the characters, or are you more akin to the external and objective methods of a classically trained actor?

 

God you’re good!  Awesome questions!

Since I write in flow, it’s almost like I’m taking dictation, of sorts. However, when I read back over material I wrote and it makes *me* cry, that’s when I know I nailed it.

To quote Beethoven, “What comes from the heart, goes to the heart.”

 

17.   The process of getting a novel published can be a very long one filled with incredible ups and downs.   What helped you stay grounded throughout?

 

YOU! Huge hugs! And all my writing friends. Without people who really, REALLY understand, I’d be in a straightjacket — and everyone knows how impossible it is to type in a straightjacket!

 

18.   Favorite quote from another author?

Does Beethoven count?

19.   What is your life motto?

Believe. Believe!

It’s the seed of all that could be.

20.    What stories are in the works for you?

I’m currently finishing up revisions for my next novel, D22go (dah-go).  I’m a week or two away from turning it in, and hopefully it will become my option book, and next crossover novel!

Thank you so much, Emily!

 

Thank you, Tasha, for hosting my cover reveal, for being such an amazing friend, beta reader and supporter.

One day soon I’ll be hosting your cover reveal. I can’t wait!

Until then, I’ll just keep counting my blessings, with you being one of the biggest ones!

Thank you So much, Emily!  

Besides the website above, one may also find out more about Ms. Murdoch and If You Find Me at these links:

On Goodreads:

http://goodreads.com/book/show/13411689-the-patron-saint-of-beans

on Twitter:

https://twitter.com/#!/LeftyWritey

The Dragon Year Approaches

Wait.  Didn’t I just write my post, “The Year of the Rabbit”? 

Granted, I have no sense of time, and I can’t even wear a watch since my electromagnetic field kills them all.   But really.   How did we so quickly go from:

to:

Incredible or not, it is Jan 1, 2012.  (talk about sci-fi-ish sounding).  And we are now heading into the year of the dragon.  (Jan 23rd)

So, just like last year, I am continuing to work toward things.   I don’t like to make concrete goals.   Instead, I’m always seeking,  Always wanting to learn more.  Explore and expand my inner and outer worlds.

That said, in this- the year of the magestic dragon I shall continue to write every day (for the most part), continue studying that fascinating but infuriating language German, and being true to myself.

May everyone do what is best for them!

Here’s to the year of the dragon!

Published in: on January 1, 2012 at 1:45 pm  Comments (13)  
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On this Full Moon

“>“When I shall have departed from this world,
Whenever ye have need of anything,
Once in the month, and when the moon is full,
Ye shall assemble in some desert place,
Or in a forest all together join
To adore the potent spirit of your queen,
My mother, great Diana. She who fain
Would learn all sorcery yet has not won
Its deepest secrets, then my mother will
Teach her, in truth all things as yet unknown
. And ye shall all be freed from slavery,
And so ye shall be free in everything;
And as the sign that ye are truly free,
Ye shall be naked in your rites, both men
And women also.”

-from “Aradia, or Gospel of the Witches” by Charles Leland. 1899

Autumn Night
“The moon is as complacent as a frog.
She sits in the sky like a blind white stone,
And does not even see Love
As she caresses his face with her contemptuous light.
She reaches her long white shivering fingers
Into the bowels of men.
Her tender superfluous probing into all that pollutes
Is like the immodesty of the mad.
She is a mad woman holding up her dress
So that her white belly shines.
Haughty,
Impregnable,
Ridiculous,
Silent and white as a debauched queen,
Her ecstasy is that of a cold and sensual child.

She is Death enjoying Life,
Innocently,
Lasciviously.”

-Evelyn Scott. published 1919

“><a

The Night – Wind by Emily Bronte

In summer's mellow midnight,
A cloudless moon shone through
Our open parlour window,
And rose-trees wet with dew.

I sat in silent musing;
The soft wind waved my hair;
It told me heaven was glorious,
And sleeping earth was fair.

I needed not its breathing
To bring such thoughts to me;
But still it whispered lowly,
'How dark the woods would be!

'The thick leaves in my murmur
Are rustling like a dream,
And all their myriad voices
Instinct with spirit seem.'

I said, 'Go, gentle singer,
Thy wooing voice is kind:
But do not think its music
Has power to reach my mind.

'Play with the scented flower,
The young tree's supply bough,
And leave my human feelings
In their own course to flow.'

The wanderer would not heed me:
Its kiss grew warmer still:
'Oh Come!' it sighed so sweetly;
'I'll win thee 'gainst thy will.

'Were we not friends from childhood?
Have I not loved thee long?
As long as thou, the solemn night,
Whose silence wakes my song.

'And when thy heart is resting
Beneath the church-aisle stone,
I shall have time for mourning,
And thou for being alone.'

Witches, artists, and writers have always held an affinity for the moon. On this esbat, as you struggle along with first drafts, revisions, and edits- allow yourself to go free. And if you start to worry, remember this from Shakespeare:

“Roses have thorns, and silver fountains mud;

Clouds and eclipses stain both moon and sun,

And loathsome canker lies in sweetest bud.

All men make faults.”

Muses and Writing

(Thalia by Jean-marc Nattier)

(Greek lyric C5th B.C.) :
“I pray to Mnamosyna (Memory), the fair-robed child of Ouranos (Heaven), and to her daughters [the Mousai].

Sappho, Fragment 103 (trans. Campbell, Vol. Greek Lyric I) (C6th B.C.) :
“Hither, holy Kharites (Graces) and Pierides Moisai [come inspire a song].”

The nine Muses of Greek mythology: Calliope of epic poetry, Clio of history, Erato of lyric poetry, Euterpe of music, Melpomene of tragedy, Polyhymnia of sacred poetry, Terpsichore of dance and song, Thalia of comedy, and Urania of Astronomy. They granted boons to the poets and artists of the ancient world.

Dante, cried out in The Inferno:
O Muses, O high genius, aid me now!
O memory that engraved the things I saw,
Here shall your worth be manifest to all!

Long after wide- belief in them had died out, some artists still sang their glories.

From Wiki: “Many Enlightenment figures sought to re-establish a “Cult of the Muses” in the 18th century. A famous Masonic lodge in pre-Revolutionary Paris was called Les Neuf Soeurs (“nine sisters”, that is, the nine Muses), and it was attended by Voltaire, Benjamin Franklin, Danton, and other influential Enlightenment figures. One side-effect of this movement was the use of the word “museum” (originally, “cult place of the Muses”) to refer to a place for the public display of knowledge.”

Flash forward to the 19th century when Emily Bronte depicted her muse like a lover:

“What I love shall come like visitant of air,
Safe in secret power from lurking human snare;
Who loves me, no word of mine shall e’er betray
Though for faith unstained my life must forfeit pay.

Burn then, little lamp; glimmer straight and clear-
Hush! a rustling wing stirs, methinks, the air;
He for whom I wait, thus ever comes to me;
Strange Power! I trust thy might; trust thou my constancy.”

In today’s world, many scoff at the idea of muses. Perhaps this stems from the many would-be writers who bemoan not being able to write due to not feeling “inspired”. And they wait and they wait and they wait.

Confession time: I have a muse. But here’s the things. She isn’t a sweet, angelic thing who waves a magic wand over my head. No, she watches over me as I regularly type away. Sometimes the words and ideas come easily. More often, the words are crappy, and silent cursing is going on in my head as I try to figure out another plot snafu.

But then, sometimes when I’m still struggling at the netbook, but more often, when I am drifting to sleep, she comes to me and whispers the answer.

The Muse award those who work diligently.

Published in: on May 15, 2011 at 7:27 pm  Comments (19)  
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Marginalia and the Heart of Writing Inside Books

A few years ago, I picked up an old copy of a biography on Emily Bronte.   Inside the front cover, a woman had inscribed her name and dated it over thirty years ago.  And throughout the book, she’d underlined her favorite passages.   I don’t know anything about this woman except she shared a love for the Brontes.

Books of mine are filled with my own underlines, and flashes of ideas that have come to me when I didn’t have any other paper on hand.

The Merriam-Webster dictionary defines marginalia as,  “marginal notes or embellishments (as inside a book) “.

However, this succinct description does not dwell into the heart of the practice.

Coined by Samuel Coleridge,  the first known use of the term is found in a 1819 edition of Blackwood’s Magazine.   He wrote once, “”A book, I value.   I reason & quarrel with as with myself when I am reasoning.”

At times, Coleridge even  drolly criticized his own, earlier lines he came across.  “Hang me, if I know or ever did know the meaning of them.”

  Years later, Edgar Allen Poe titled many of his own articles, Marginalia.

However, the practice of scribbling comments inside books goes back much further.  Arguably, the most famous example is Fermat’s last theorem.  

The most common form of marginalia are the underlines, scribbles, and comments a reader makes.  While marking the book, they inadvertently reveal little aspects of themselves.  What lines of dialogue made them laugh, what bits of prose affected them emotionally, or made them think.

Other readers debate the writer’s theories with their own points of view on a subject.

Besides commentary,  the sides of pages have been used by writers to scribble their own works.  Whilst in prison, Voltaire used the margins of a book to pen his play, Oedipus.  

On the eve of his execution, Sir Walter Raleigh wrote this poem inside his bible:

“Even such is time, which takes in trust
    Our youth, our joys, and all we have,
And pays us nought but age and dust;
    Which in the dark and silent grave,
When we have wandered all our ways,
Shuts up the story of our days!
And from which grave, and earth, and dust,
The Lord shall raise me up, I trust.’
Many are aghast at the thought of writing inside a book.  It’s almost an unsaid taboo.  Yet for others, it is a way to collect their thoughts, to share, and to express. 
  Voltaire

A Gypsy’s Plans for the New Year

First, Happy New Year to everyone!

I was just checking last year’s post:  https://gypsyscarlett.wordpress.com/2010/01/04/plans-for-a-victorian-in-the-new-year/, in which my goals were to read 12 German novels, keep up my daily writing, and find Sput a new hobby so she would stop regaling me nonstop about her city.

Let’s see how I fared.

I did indeed read 12 novels in German.

I wrote almost everyday, and in doing so revised PORTRAITS several times, and completed a few rough drafts.

And I did find Sput some new hobbies!   She’ll thank me one day. 

So, onto this year’s plans

1.  Rewrite, revise, edit, etc one of my rough drafts into a lovely, polished piece ready for submission

2.  Continue my German studies.  But while I’ll still be reading German, this year, I intend to concentrate on improving my listening skills.  (my weakest point, I fear).  So I shall intensely listen to German for at least one hour a day.  No eating, or writing, or knitting, or anything else but paying close heed to the sounds of Deutsch for that hour.  Let’s see if 365 hours of intense German listening has helped by the end of the year.

3.  Read at least one novel in French.  Yes,  the bug known as Francophilia has overtaken me.  Goodness, help me!

So, what shall you be working on this year?

– Ishtar’s Gate inside the Pergamon Museum

Published in: on January 2, 2011 at 12:39 pm  Comments (23)  
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Quotes on Acting… for Writers

 

Here are some quotes on acting from various theater actors and teachers which can also be applied toward creative writing

1.”Each action of the actor on the stage should be the visible concomitant of his thoughts. ” Sarah Bernhardt

2.  “He who is incapable of feeling strong passions, of being shaken by anger, of living in every sense of the word, will never be a good actor.”- Sarah Bernhardt

3.   “Permanent success cannot be achieved except by incessant intellectual labour, always inspired by the ideal. ” – Sarah Bernhardt

4. “There is all the difference in the world between departure from recognised rules by one who has learned to obey them, and neglect of them through want of training or want of skill or want of understanding. Before you can be eccentric you must know where the circle is.”- Ellen Terry

5.  “Imagination!  Imagination!  I put it first years ago, when I was asked what qualities I thought necessary for success on the stage.”- Ellen Terry

6.  “Vary the pace.  It is the foundation of all good acting.”- Ellen Terry

7.   “Imagination, industry, and intelligence — the three I s — are all indispensable to the actress, but of these three the greatest is, without doubt, imagination.”- Ellen Terry

8. ” “He never adheres to the first image that appears to him, because he knows that this is not necessarily the richest and more correct. He sacrifices one image for another more intense and expressive, and he does this repeatedly until new and unknown visions strike him with their revealing spell.” — Michael Chekhov

9.  “The inner life of the [imagination], and not the personal and tiny experiential resources of the actor, should be elaborated on the stage and shown to the audience. This life is rich and revealing for the audience as well as for the actor himself.” – Michael Chekhov

10.  “You have to get beyond your own precious inner experiences. The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings. The ideas of the great playwrights are almost always larger than the experiences of even the best actors.” – Stella Adler

11.  “Whatever you decide is your motivation in the scene, the opposite of that is also true and should be in the scene.” – Michael Shurtleff

12.  “One way we can enliven the imagination is to push it toward the illogical. We’re not scientists. We don’t always have to make the logical, reasonable leap.” – Stella Adler

13.  “We don’t live for realities, but for the fantasies, the dreams of what might be. If we lived for reality, we’d be dead, every last one of us. Only dreams keep us going…When you are acting, don’t settle for anything less than the biggest dream for your character’s future.” – Michael Shurtleff

14.  “Work for the actor lies essentially in two areas: the ability to consistently create reality and the ability to express that reality.” – Lee Strasberg

15.  “Talent is an amalgam of high sensitivity; easy vulnerability; high sensory equipment (seeing, hearing, touching, smelling, tasting intensely); a vivid imagination as well as a grip on reality; the desire to communicate one’s own experience and sensations, to make one’s self heard and seen.” – Uta Hagen

16.  “When an acting teacher tells a student ‘that wasn’t honest work’ or ‘that didn’t seem real,’ what does this mean? In life, we are rarely ‘truthful’ or ‘honest’ or ‘real’. And characters in plays are almost never ‘truthful’ or ‘honest’ or ‘real’. What exactly do teachers even mean by these words? A more useful question is: What is the story the actor was telling in their work? An actor is always telling a story. We all are telling stories, all the time. Story: that is what it is all about.”- Stella Adler

17.  “When an actor is completely absorbed by some profoundly moving objective so that he throws his whole being passionately into its execution, he reaches a state we call inspiration.”
– Stanislavski

18-  “Put life into the imagined circumstances and actions until you have completely satisfied your sense of truth and until you have awakened a sense of faith in the reality of your own sensations.”- Stanislavski

19.  “Acting is the ability to live truthfully under imaginary circumstances.”- Sanford Meisner

20.  “Less is more!”- Sanford Meisner

21.  “Your talent is in your choice. “- Stella Adler

Another Quick Meme: Oh My!

Ahem.  Interrupting The Neverending Writing Meme for something not-so-entirely different:  another meme.

Yes, that’s right.  I’ve been tagged.  Again.  By someone else:   Steven

Okay, here we go:

1. If you could have any superpower, what would it be? Why?

Shapeshifting!   I love to change forms in creative meditations.  It would be so amazing to shift for real on the physical plane.   Just transform into a bird and take off.   That’s freedom.  🙂 

*and as an extra, if somewhat nefarious reason, there are a few jerks I’d want to perch on top of*
2. Who is your style icon?

This one is difficiult to answer.  I’ve never thought of emulating someone’s style.  I admire Cain’s terse style, his rawness.  But I also really admire Wilkie Collin’s highly descriptive prose and his deep character portraits.   I’m probably some weird mix of all the different types of writers I enjoy.

Recently, a beta told me I reminded her of Iris Murdoch.  That was pretty cool to hear!  🙂
3. What is your favorite quote?

This quote by Goethe is always good to keep in mind:  “An unused life is an early death.”

4. What is the best compliment you’ve ever received?

“That I’m my own person.”
5. What playlist/CD is in your CD Player/iPod right now?

Actually, nothing.  I’ve been enjoying the beauty of silence.
6. Are you a night owl or a morning person?

Both.  I love the fresh, somewhat inspiring feeling of dawn.  Yes, I’m an optimist.  😉  And night, because it’s so peaceful.

It’s the afternoon that I’m quite happy to sleep through if possible.
7. Do you prefer dogs or cats?

Dogs!  

Cats are cool, and they fascinate me with their meditative poses.  But dogs bring out the maternal side in me.  Uh, yeah.  I react the way towards canines the way other women supposedly do toward human babies.  What can I say?


8. What is the meaning behind your blog name?

Ah, this one is easy.  (and probably obvious).  I’ve been interested in gypsy culture since I was a little kid.  Of course, in the years since, I’ve learned the true plight the Romany have suffered.  But that romanticized image remains.  And when I hear the term, “gypsy”- I think of a carefree person living by their own terms.

Published in: on October 17, 2010 at 9:01 pm  Comments (11)  
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Writing Meme: Day 11- Favorite Characters

11. Who is your favorite character to write? Least favorite?

These questions are almost impossible to answer!

Presently, I would have to choose my mysterious witch, Beth.  The dark sphinx.   She was one of those characters who I knew inside and out from the very beginning, and our relationship only deepened through various drafts.  But I also had found such joy in writing of the exploits of Mr. Raferat and Mrs. Brent.   Most of all the sardonic banter between the two.

I don’t have a least favorite character.   All characters are in a story for a reason.  There are some that are certainly more challenging because they reveal themselves slowly, displaying more aspects of their personality through each draft.    But if they didn’t belong, I’d cut them out and wait for their correct story to come along.

How about you?

Published in: on October 6, 2010 at 11:18 am  Comments (5)  
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